
Reprise Records
Mastering Engineer: Scott Hull
Cutting Engineer: Alex DeTurk
"OK, OK, you're probably thinking, how does it sound? Well, the CD sounds damn good—Fagen's voice is clearer, the instruments more distinct and dynamic, than they have been for a few albums—and the LP sounds better still." -- Michael Fremer at Stereophile
Listen on iTunes or Spotify:
Mastering Engineer: Scott Hull
Cutting Engineer: Alex DeTurk
"OK, OK, you're probably thinking, how does it sound? Well, the CD sounds damn good—Fagen's voice is clearer, the instruments more distinct and dynamic, than they have been for a few albums—and the LP sounds better still." -- Michael Fremer at Stereophile
Listen on iTunes or Spotify:

Mastering Engineer: Scott Hull

Universal Music Group
Mastering Engineer: Scott Hull
Vinyl Cutting Engineers: Scott Hull and Alex DeTurk
"Given Sting’s far-reaching ambition and interests, it was merely a matter of time before he recorded an orchestral album, but 2010’s Symphonicities surprises by offering symphonic arrangements of his older songs instead of a new work." -- AllMusic
Get the 2 LP vinyl set at Elusive Disc.
Listen on iTunes or Spotify:
Mastering Engineer: Scott Hull
Vinyl Cutting Engineers: Scott Hull and Alex DeTurk
"Given Sting’s far-reaching ambition and interests, it was merely a matter of time before he recorded an orchestral album, but 2010’s Symphonicities surprises by offering symphonic arrangements of his older songs instead of a new work." -- AllMusic
Get the 2 LP vinyl set at Elusive Disc.
Listen on iTunes or Spotify:

Daptone Records
Mastering Engineer: Scott Hull
"It's a very clean record, not over-produced but well produced, with a lot of great pop moments tucked in between the brassier, funkier bits." – AllMusic
Listen on iTunes or Spotify:
Mastering Engineer: Scott Hull
"It's a very clean record, not over-produced but well produced, with a lot of great pop moments tucked in between the brassier, funkier bits." – AllMusic
Listen on iTunes or Spotify:

Giant Records
Mastering Engineer: Scott Hull
"For proof their prime isn't past, skip to the closing ''West of Hollywood,'' this album's eight-minute-plus masterpiece. ''I'm way deep into nothing special,'' repeats Fagen, describing a SoCal black hole of addictive pleasure and romantic despair. The fever-pitched music matches the lyric's abyss-mal uncertainty, throwing out a succession of the weirdest key changes you've ever heard on a pop record, its roller-coaster twists topped off by a Chris Potter sax solo so good you'll keep checking the LED display in hopes it isn't nearly over." -- Entertainment Weekly
Listen on iTunes or Spotify:
Mastering Engineer: Scott Hull
"For proof their prime isn't past, skip to the closing ''West of Hollywood,'' this album's eight-minute-plus masterpiece. ''I'm way deep into nothing special,'' repeats Fagen, describing a SoCal black hole of addictive pleasure and romantic despair. The fever-pitched music matches the lyric's abyss-mal uncertainty, throwing out a succession of the weirdest key changes you've ever heard on a pop record, its roller-coaster twists topped off by a Chris Potter sax solo so good you'll keep checking the LED display in hopes it isn't nearly over." -- Entertainment Weekly
Listen on iTunes or Spotify:

Mushroom Records / Almo Sounds
Mastering Engineer: Scott Hull
"Version 2.0 was the follow-up to the band's multi-platinum debut album Garbage. Despite a slow start, Version 2.0 went on to equal its predecessor, becoming platinum-certified in many territories." -- Wikipedia
Listen on iTunes or on Spotify:
Mastering Engineer: Scott Hull
"Version 2.0 was the follow-up to the band's multi-platinum debut album Garbage. Despite a slow start, Version 2.0 went on to equal its predecessor, becoming platinum-certified in many territories." -- Wikipedia
Listen on iTunes or on Spotify:

Reprise Records
Mastering Engineer: Scott Hull
"The Steely Dan signatures are all in place: jazz chords and female choruses, horn-section sighs and light-funk grooves, lush atmospheres and a sound of amazing presence. But "Kamakiriad" isn't just an "Aja" minor. For the first time, Fagen instills his music with full emotional openness, and, without the old ironic knots to be negotiated, the prevailing tones of ache and longing have more dimension and resonance. Similarly, Fagen's singing has acquired a dynamic command that allows him to animate his hipster syntax with an energized swing, adding new levels of expressive nuance." -- Los Angeles Times
Listen at iTunes or on Spotify:
Mastering Engineer: Scott Hull
"The Steely Dan signatures are all in place: jazz chords and female choruses, horn-section sighs and light-funk grooves, lush atmospheres and a sound of amazing presence. But "Kamakiriad" isn't just an "Aja" minor. For the first time, Fagen instills his music with full emotional openness, and, without the old ironic knots to be negotiated, the prevailing tones of ache and longing have more dimension and resonance. Similarly, Fagen's singing has acquired a dynamic command that allows him to animate his hipster syntax with an energized swing, adding new levels of expressive nuance." -- Los Angeles Times
Listen at iTunes or on Spotify:

Interscope / A&M
Producer: Rob Mathes
Mastering Engineer: Scott Hull
Release Date: September 24, 2013
More info on Wikipedia
Producer: Rob Mathes
Mastering Engineer: Scott Hull
Release Date: September 24, 2013
More info on Wikipedia

City Slang Records
Mastering Engineer: Scott Hull
"CocoRosie now introduce their fifth album, Tales Of A GrassWidow, produced in collaboration with Icelandic composer Valgeir Sigurðsson and enriched by a whole host of guest performances. It’s a brave record, synthesizing electronic and organic sound to convey a futuristic, back-to-nature feeling." -- City Slang
Listen on iTunes or Spotify:
Mastering Engineer: Scott Hull
"CocoRosie now introduce their fifth album, Tales Of A GrassWidow, produced in collaboration with Icelandic composer Valgeir Sigurðsson and enriched by a whole host of guest performances. It’s a brave record, synthesizing electronic and organic sound to convey a futuristic, back-to-nature feeling." -- City Slang
Listen on iTunes or Spotify:

Reprise Records
Mastering Engineer: Scott Hull
Cutting Engineer: Alex DeTurk
"OK, OK, you're probably thinking, how does it sound? Well, the CD sounds damn good—Fagen's voice is clearer, the instruments more distinct and dynamic, than they have been for a few albums—and the LP sounds better still." -- Michael Fremer at Stereophile
Listen on iTunes or Spotify:
Mastering Engineer: Scott Hull
Cutting Engineer: Alex DeTurk
"OK, OK, you're probably thinking, how does it sound? Well, the CD sounds damn good—Fagen's voice is clearer, the instruments more distinct and dynamic, than they have been for a few albums—and the LP sounds better still." -- Michael Fremer at Stereophile
Listen on iTunes or Spotify:

Small Horse Records
Mastering Engineer: Scott Hull
"Madi Diaz is like the Wade Boggs of pop/rock; her songs never swing for the fences, but they always seem to connect. Last time she released a full album, Diaz was an alt-country newcomer doubling as a young college student. This time around, she's a mid-twentysomething road warrior with years of practice under her belt, and Plastic Moon feels tighter, tauter, more cohesive than most sophomore records." -- AllMusic
Listen on iTunes or on Spotify:
Mastering Engineer: Scott Hull
"Madi Diaz is like the Wade Boggs of pop/rock; her songs never swing for the fences, but they always seem to connect. Last time she released a full album, Diaz was an alt-country newcomer doubling as a young college student. This time around, she's a mid-twentysomething road warrior with years of practice under her belt, and Plastic Moon feels tighter, tauter, more cohesive than most sophomore records." -- AllMusic
Listen on iTunes or on Spotify:

2nd Story Sound / Proper Records
Mastering Engineer: Scott Hull
"On "The Here & Now," the opening track, Wainwright enlists all four of his children, ex-wife Suzzy Roche, and current wife Ritamarie Kelly. Guitarist John Scofield helps makes this the jazziest thing he's ever written -- and it's easily the best track here. He uses spoken word recordings by his late father (a well-known LIFE Magazine columnist), which makes this the ultimate Wainwright family album." -- AllMusic
Listen on iTunes or on Spotify:
Mastering Engineer: Scott Hull
"On "The Here & Now," the opening track, Wainwright enlists all four of his children, ex-wife Suzzy Roche, and current wife Ritamarie Kelly. Guitarist John Scofield helps makes this the jazziest thing he's ever written -- and it's easily the best track here. He uses spoken word recordings by his late father (a well-known LIFE Magazine columnist), which makes this the ultimate Wainwright family album." -- AllMusic
Listen on iTunes or on Spotify:

Nightmare Records
Mastering Engineer: Scott Hull
"The production is excellent - and a huge improvement over the prior release. For those looking for one track to listen to in order to get an idea of the whole disc, I would recommend turning to the final track “The Cleansing Fires” - 14 minutes that amply represent this entire work in a (large)nutshell. If you like Symphony X and can handle very well-done melo-death influences, or if you are into melodic death metal, but can appreciate tangents into superbly crafted prog metal, this is for you. Highly recommended, without reserve." -- Metal Archives
Listen on iTunes or listen on Spotify:
Mastering Engineer: Scott Hull
"The production is excellent - and a huge improvement over the prior release. For those looking for one track to listen to in order to get an idea of the whole disc, I would recommend turning to the final track “The Cleansing Fires” - 14 minutes that amply represent this entire work in a (large)nutshell. If you like Symphony X and can handle very well-done melo-death influences, or if you are into melodic death metal, but can appreciate tangents into superbly crafted prog metal, this is for you. Highly recommended, without reserve." -- Metal Archives
Listen on iTunes or listen on Spotify:

RCA Records
Mastering Engineer: Scott Hull
"The fourth Dave Matthews multi-disc live set to appear in the two years following the 2009 release of Big Whiskey & the GrooGrux King, the 2011 Live at Wrigley Field documents a relatively hit-heavy set performed at the famed Chicago ballpark on September 18, 2010. Maybe most fans don’t need another version of “Tripping Billies” or “Jimi Thing” in their library, but DMB plays both with a modicum of vigor, which may be the calling card of this collection." -- AllMusic
Listen at iTunes or at Spotify:
Mastering Engineer: Scott Hull
"The fourth Dave Matthews multi-disc live set to appear in the two years following the 2009 release of Big Whiskey & the GrooGrux King, the 2011 Live at Wrigley Field documents a relatively hit-heavy set performed at the famed Chicago ballpark on September 18, 2010. Maybe most fans don’t need another version of “Tripping Billies” or “Jimi Thing” in their library, but DMB plays both with a modicum of vigor, which may be the calling card of this collection." -- AllMusic
Listen at iTunes or at Spotify:

Wind Up Records
Mastering Engineer: Scott Hull
"After making the conscious decision not to replace Calvert, instead having guitarist Micah Carli take over as the resident screamer, the band delivered their most refined album to date with Skeletons." -- Gregory Heaney, AllMusic
Listen on iTunes or Spotify:
Mastering Engineer: Scott Hull
"After making the conscious decision not to replace Calvert, instead having guitarist Micah Carli take over as the resident screamer, the band delivered their most refined album to date with Skeletons." -- Gregory Heaney, AllMusic
Listen on iTunes or Spotify:

Universal Music Group
Mastering Engineer: Scott Hull
Vinyl Cutting Engineers: Scott Hull and Alex DeTurk
"Given Sting’s far-reaching ambition and interests, it was merely a matter of time before he recorded an orchestral album, but 2010’s Symphonicities surprises by offering symphonic arrangements of his older songs instead of a new work." -- AllMusic
Get the 2 LP vinyl set at Elusive Disc.
Listen on iTunes or Spotify:
Mastering Engineer: Scott Hull
Vinyl Cutting Engineers: Scott Hull and Alex DeTurk
"Given Sting’s far-reaching ambition and interests, it was merely a matter of time before he recorded an orchestral album, but 2010’s Symphonicities surprises by offering symphonic arrangements of his older songs instead of a new work." -- AllMusic
Get the 2 LP vinyl set at Elusive Disc.
Listen on iTunes or Spotify:

Giant Records
Mastering Engineer: Scott Hull
"For proof their prime isn't past, skip to the closing ''West of Hollywood,'' this album's eight-minute-plus masterpiece. ''I'm way deep into nothing special,'' repeats Fagen, describing a SoCal black hole of addictive pleasure and romantic despair. The fever-pitched music matches the lyric's abyss-mal uncertainty, throwing out a succession of the weirdest key changes you've ever heard on a pop record, its roller-coaster twists topped off by a Chris Potter sax solo so good you'll keep checking the LED display in hopes it isn't nearly over." -- Entertainment Weekly
Listen on iTunes or Spotify:
Mastering Engineer: Scott Hull
"For proof their prime isn't past, skip to the closing ''West of Hollywood,'' this album's eight-minute-plus masterpiece. ''I'm way deep into nothing special,'' repeats Fagen, describing a SoCal black hole of addictive pleasure and romantic despair. The fever-pitched music matches the lyric's abyss-mal uncertainty, throwing out a succession of the weirdest key changes you've ever heard on a pop record, its roller-coaster twists topped off by a Chris Potter sax solo so good you'll keep checking the LED display in hopes it isn't nearly over." -- Entertainment Weekly
Listen on iTunes or Spotify:

Mushroom Records / Almo Sounds
Mastering Engineer: Scott Hull
"Version 2.0 was the follow-up to the band's multi-platinum debut album Garbage. Despite a slow start, Version 2.0 went on to equal its predecessor, becoming platinum-certified in many territories." -- Wikipedia
Listen on iTunes or on Spotify:
Mastering Engineer: Scott Hull
"Version 2.0 was the follow-up to the band's multi-platinum debut album Garbage. Despite a slow start, Version 2.0 went on to equal its predecessor, becoming platinum-certified in many territories." -- Wikipedia
Listen on iTunes or on Spotify:

Reprise Records
Mastering Engineer: Scott Hull
"The Steely Dan signatures are all in place: jazz chords and female choruses, horn-section sighs and light-funk grooves, lush atmospheres and a sound of amazing presence. But "Kamakiriad" isn't just an "Aja" minor. For the first time, Fagen instills his music with full emotional openness, and, without the old ironic knots to be negotiated, the prevailing tones of ache and longing have more dimension and resonance. Similarly, Fagen's singing has acquired a dynamic command that allows him to animate his hipster syntax with an energized swing, adding new levels of expressive nuance." -- Los Angeles Times
Listen at iTunes or on Spotify:
Mastering Engineer: Scott Hull
"The Steely Dan signatures are all in place: jazz chords and female choruses, horn-section sighs and light-funk grooves, lush atmospheres and a sound of amazing presence. But "Kamakiriad" isn't just an "Aja" minor. For the first time, Fagen instills his music with full emotional openness, and, without the old ironic knots to be negotiated, the prevailing tones of ache and longing have more dimension and resonance. Similarly, Fagen's singing has acquired a dynamic command that allows him to animate his hipster syntax with an energized swing, adding new levels of expressive nuance." -- Los Angeles Times
Listen at iTunes or on Spotify:

Blue Note Records
Mastering Engineer: Scott Hull
"A former graduate of Gerry Mulligan’s Quartet and Phil Wood’s Quintet, Bill Charlap is one of America’s foremost interpreters of standards via the ivories. While his time with Mulligan ensures that his improvising skills are consummate, his experience from backing luminaries such as Tony Bennett and Sheila Jordan also means that his approach to the great American songbook is never less than dazzling. This live album proves it and then some..." -- BBC Music
Listen on iTunes or Spotify:
Mastering Engineer: Scott Hull
"A former graduate of Gerry Mulligan’s Quartet and Phil Wood’s Quintet, Bill Charlap is one of America’s foremost interpreters of standards via the ivories. While his time with Mulligan ensures that his improvising skills are consummate, his experience from backing luminaries such as Tony Bennett and Sheila Jordan also means that his approach to the great American songbook is never less than dazzling. This live album proves it and then some..." -- BBC Music
Listen on iTunes or Spotify:

RCA Records
Mastering Engineer: Scott Hull
"Wherever the boundaries used to be, they no longer exist. Trumpeter Dave Douglas doesn't believe in that sort of thing, anyway. The eclectic mix on Freak In represents yet another departure for Douglas, the most exciting record he's made in his career as a leader. The heady stew includes swing, hard bop, mellow jazz, Indian tablas, loose funk, deep rock grooves, electronics, and helter-skelter abandon." -- All About Jazz
Listen on iTunes or Spotify:
Mastering Engineer: Scott Hull
"Wherever the boundaries used to be, they no longer exist. Trumpeter Dave Douglas doesn't believe in that sort of thing, anyway. The eclectic mix on Freak In represents yet another departure for Douglas, the most exciting record he's made in his career as a leader. The heady stew includes swing, hard bop, mellow jazz, Indian tablas, loose funk, deep rock grooves, electronics, and helter-skelter abandon." -- All About Jazz
Listen on iTunes or Spotify:

Tzadik Records
Mastering Engineer: Scott Hull
"Gosfield's pieces, driven by strong instrumental protagonists, stake their claim to a unique world - she's a glorious provincial, the Carl Nielsen of Second Avenue." – Russell Platt, The New Yorker, reviewing the CD "Almost Truths and Open Deceptions"
Listen on iTunes.
Mastering Engineer: Scott Hull
"Gosfield's pieces, driven by strong instrumental protagonists, stake their claim to a unique world - she's a glorious provincial, the Carl Nielsen of Second Avenue." – Russell Platt, The New Yorker, reviewing the CD "Almost Truths and Open Deceptions"
Listen on iTunes.

Tzadik Records
Mastering Engineer: Scott Hull
"Created for a modern Polish stage production of Bram Stoker's classic vampire tale, Zorn has created a music filled with nostalgia, tenderness, violent power and a great sense of mystery. Featuring the dark ambient bass tones of Bill Laswell, the sensitive keyboards of Rob Burger, Kevin Norton on drums, vibes and percussion and Zorn on sax, this is a moody and menacing program of music for late night listening. Romantic ballads, ambient soundscapes and hardcore intensity!" -- Downtown Music Gallery
Listen at iTunes.
Mastering Engineer: Scott Hull
"Created for a modern Polish stage production of Bram Stoker's classic vampire tale, Zorn has created a music filled with nostalgia, tenderness, violent power and a great sense of mystery. Featuring the dark ambient bass tones of Bill Laswell, the sensitive keyboards of Rob Burger, Kevin Norton on drums, vibes and percussion and Zorn on sax, this is a moody and menacing program of music for late night listening. Romantic ballads, ambient soundscapes and hardcore intensity!" -- Downtown Music Gallery
Listen at iTunes.

Side One Dummy Records
Mastering Engineer: Scott Hull
"Undoubtedly, Live from Axis Mundi falls short of the experience to be had at one of their actual concerts. However, it is still full of the same crazy, sporadic zest that made the world fall head over heels for these mystical gypsy punks and their intoxicating energy in the first place." -- Consequence of Sound
Listen at iTunes or Spotify:
Mastering Engineer: Scott Hull
"Undoubtedly, Live from Axis Mundi falls short of the experience to be had at one of their actual concerts. However, it is still full of the same crazy, sporadic zest that made the world fall head over heels for these mystical gypsy punks and their intoxicating energy in the first place." -- Consequence of Sound
Listen at iTunes or Spotify:

Tzadik Records
Mastering Engineer: Scott Hull
"Three chamber works composed in 2004 are featured on John Zorn's Mysterium, each revealing a different aspect of his famously eclectic sensibility and restless creativity." -- AllMusic
Listen on iTunes.
Mastering Engineer: Scott Hull
"Three chamber works composed in 2004 are featured on John Zorn's Mysterium, each revealing a different aspect of his famously eclectic sensibility and restless creativity." -- AllMusic
Listen on iTunes.

Thirsty Ear Records
Mastering Engineer: Scott Hull
"It's as though Taborn has self-edited his obvious first couple of electric records, leap-frogging even himself. Here, he's recruited three participants of equally staggering futuristic potential: Bad Plus drummer and fellow Minneapole Dave King, legato microtonal violist Mat Maneri, and the voracious young tenorist Aaron Stewart, whose stunning efforts with Fieldwork foreshadow his work here." -- All About Jazz
Listen on iTunes or on Spotify:
Mastering Engineer: Scott Hull
"It's as though Taborn has self-edited his obvious first couple of electric records, leap-frogging even himself. Here, he's recruited three participants of equally staggering futuristic potential: Bad Plus drummer and fellow Minneapole Dave King, legato microtonal violist Mat Maneri, and the voracious young tenorist Aaron Stewart, whose stunning efforts with Fieldwork foreshadow his work here." -- All About Jazz
Listen on iTunes or on Spotify:

Tzadik Records
Mastering Engineer: Scott Hull
"Still, there's something to be said about an old dog, new tricks and a lifetime of artistic expression: Ballads is a remarkable record for Bailey. As on recent efforts such as 2000's Mirakle or 1998's Play Backs, the concept places Bailey in a strange context and observes the outcome. However, instead of putting him in a group or adding strange studio effects, the gimmick here is Bailey's interpretations of classic tunes written by the likes of Hoagy Carmichael and Victor Young." -- Pitchfork
Listen at iTunes.
Mastering Engineer: Scott Hull
"Still, there's something to be said about an old dog, new tricks and a lifetime of artistic expression: Ballads is a remarkable record for Bailey. As on recent efforts such as 2000's Mirakle or 1998's Play Backs, the concept places Bailey in a strange context and observes the outcome. However, instead of putting him in a group or adding strange studio effects, the gimmick here is Bailey's interpretations of classic tunes written by the likes of Hoagy Carmichael and Victor Young." -- Pitchfork
Listen at iTunes.


EMI
Mastering Engineer: Scott Hull
"No musician did more than Ravi Shankar to bring Indian music and the sitar to a Western audience and he has had a massive influence on countless musicians and composers the world over. This set collects five of his releases (West Meets East, Full Circle: Carnegie Hall 2000, India’s Master Musician, Portrait of Genius, and Sound of the Sitar) on two discs, and includes several collaborations with Yehudi Menuhin." -- AllMusic
Lisen at iTunes or at Spotify:
Mastering Engineer: Scott Hull
"No musician did more than Ravi Shankar to bring Indian music and the sitar to a Western audience and he has had a massive influence on countless musicians and composers the world over. This set collects five of his releases (West Meets East, Full Circle: Carnegie Hall 2000, India’s Master Musician, Portrait of Genius, and Sound of the Sitar) on two discs, and includes several collaborations with Yehudi Menuhin." -- AllMusic
Lisen at iTunes or at Spotify:

Rounder Records
Mastering Engineer: Scott Hull
"Now that The Pogues are no more (or maybe they still are, but without Shane there's hardly any point), the world needs The Klezmatics more than ever. Nerdy where The Pogues were scruffy, and stoned where they were drunk, The Klezmatics are the uncontested rulers of the current Jewish Alternative Movement/Radical Jewish Culture/Scare Your Grandparents scene." -- Pitchfork
Listen on iTunes or on Spotify:
Mastering Engineer: Scott Hull
"Now that The Pogues are no more (or maybe they still are, but without Shane there's hardly any point), the world needs The Klezmatics more than ever. Nerdy where The Pogues were scruffy, and stoned where they were drunk, The Klezmatics are the uncontested rulers of the current Jewish Alternative Movement/Radical Jewish Culture/Scare Your Grandparents scene." -- Pitchfork
Listen on iTunes or on Spotify:

Sh-k-Boom Records
Mastering Engineer: Scott Hull
"While the whole album is great, the standouts (for me at least) are "The Seraph," which is hauntingly beautiful, Mendez's rendition of "The Party Goes With You," and probably the most famous song from the musical (and rightfully so) "The Ballad of Sara Berry." I recommend to everyone checking this one out, and I hope this show has a future ahead of it!" -- Upstage Left
Listen on iTunes or on Spotify:
Mastering Engineer: Scott Hull
"While the whole album is great, the standouts (for me at least) are "The Seraph," which is hauntingly beautiful, Mendez's rendition of "The Party Goes With You," and probably the most famous song from the musical (and rightfully so) "The Ballad of Sara Berry." I recommend to everyone checking this one out, and I hope this show has a future ahead of it!" -- Upstage Left
Listen on iTunes or on Spotify:

Ghostlight Records
Mastering Engineer: Scott Hull
"The stage production of The Book of Mormon caused quite a stir when it opened on Broadway on March 24, 2011, at the Eugene O’Neill Theatre and subsequently became an instant phenomenon. Many awards and much controversy later, the soundtrack has been minted for posterity in all its raucous, explicit glory." -- Trish Causey, About.com
Listen on iTunes or Spotify:
Mastering Engineer: Scott Hull
"The stage production of The Book of Mormon caused quite a stir when it opened on Broadway on March 24, 2011, at the Eugene O’Neill Theatre and subsequently became an instant phenomenon. Many awards and much controversy later, the soundtrack has been minted for posterity in all its raucous, explicit glory." -- Trish Causey, About.com
Listen on iTunes or Spotify:

Sh-K-Boom / Ghostlight Records
Mastering Engineer: Scott Hull
Listen on iTunes or Spotify:
https://itunes.apple.com/us/album/fame-becomes-me-original-broadway/id326894432
Mastering Engineer: Scott Hull
Listen on iTunes or Spotify:
https://itunes.apple.com/us/album/fame-becomes-me-original-broadway/id326894432

Sh-k-Boom Records
Mastering Engineer: Scott Hull
"Like the previous year's 25th Annual Putnam County Spelling Bee, The Drowsy Chaperone is a "little musical that could." While not being a large-scale hit, it managed to win numerous awards, including five Tonys, and praise for being completely original at a time when almost all new musicals are based on previously published books, music, or movies." -- AllMusic
Listen on iTunes or Spotify:
Mastering Engineer: Scott Hull
"Like the previous year's 25th Annual Putnam County Spelling Bee, The Drowsy Chaperone is a "little musical that could." While not being a large-scale hit, it managed to win numerous awards, including five Tonys, and praise for being completely original at a time when almost all new musicals are based on previously published books, music, or movies." -- AllMusic
Listen on iTunes or Spotify: